The summer of 2017 buzzed with anticipation. Not just for the typical summer blockbuster releases or the latest pop sensation, but for a different kind of spectacle: the unveiling of the story behind the tragic murder of Gianni Versace, as told through the lens of FX's *American Crime Story: Versace*. This miniseries, meticulously crafted and dripping with the opulence synonymous with the Versace name, dominated headlines and water-cooler conversations, catapulting the brand and its complex legacy back into the forefront of popular culture. This article delves into the confluence of this cultural moment, focusing on the media coverage, particularly within the pages of *Entertainment Weekly* and the broader landscape of entertainment magazines at the time, and how it intersected with the enduring allure of the Versace brand.
*Entertainment Weekly*, a cornerstone of pop culture reporting, played a significant role in covering the *American Crime Story: Versace* phenomenon. Their June 30th, 2017, issue, arguably, became a collector's item for those fascinated by the show and the Versace dynasty. While the exact content of that specific issue isn't readily available in its entirety online, we can extrapolate its likely contents based on *EW*'s typical coverage and the zeitgeist of the time. As a publication dedicated to providing "Entertainment News for Pop Culture Fans," *EW* would have undoubtedly devoted significant space to the miniseries.
We can imagine articles dissecting the performances of Edgar Ramírez as Gianni Versace and Darren Criss as Andrew Cunanan, analyzing the show's faithfulness (or deviation) from the real-life events, and exploring the critical reception. *EW*'s typical interview style would have likely included conversations with the show's creators, writers, and key cast members, offering behind-the-scenes insights and perspectives on the creative process. The magazine’s signature blend of in-depth reporting and engaging writing would have made it a go-to source for fans eager to dissect the nuances of the series. Furthermore, given *EW*'s focus on music, the issue might have included a feature on the soundtrack, perhaps even interviews with artists whose music was featured, aligning with their broader coverage of "latest music news, plus artist interviews and album reviews."
Beyond the specific *American Crime Story: Versace* coverage, the June 30th, 2017, *Entertainment Weekly* issue would have likely reflected the broader cultural conversation surrounding the Versace brand itself. The show's airing inevitably sparked renewed interest in the fashion house's history, its iconic designs, and the enduring legacy of Gianni Versace. This would have presented opportunities for *EW* to explore related themes. Articles focusing on "The Best Donatella Versace Red Carpet Dresses of All Time" would have been a natural fit, showcasing the brand's continued influence on high fashion and red carpet glamour. This would have allowed *EW* to cater to its readers' diverse interests, combining the immediate impact of the miniseries with the lasting appeal of Versace's haute couture.
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